Machine, 2017
Installation built for Stroboskop Art Space, Warsaw, PL






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I found this loom in Łysa Góra. It was a precarious yet elegant little construction of wood, yarn, and stones that sat on the porch of a small home in a synthetic medieval village. It was a seductive composition of both horizontal and vertical, hard and soft lines. I stared at it for a long time, I took a lot of pictures. Aside from the aesthetic qualities of its form, what really stayed with me was the notion that this is a machine.III
I can’t remember the moment I discovered dazzle paint– the camouflage developed for naval vessels circa WWI not to hide from, but to confuse the observer. Information comes at us through our eyes and then off to our brains where things like scale, directionality, materiality, identity, and mood are mapped out. Dazzle paint is a pattern, a motif, developed to distort visual perception, to baffle orientation. But maybe what it really does is highlight the distance between what we see, what we know, and what we believe.Machine is a return to the basics, it’s kind of like a beginning. In the space occupied by a duality, between borders of red and blue, the digital and the analog, the organic and the inorganic, there is blur. Blur between the lines of words like technology, machine, perception, form, color, function, network, time, space, horizon, distortion. One, two, three. Light, space, time. Beginning, middle, end. Past, present, future. Red, yellow, blue.